Friday, June 29, 2007

Two Todd P Shows in the area this Weekend



Tomorrow (Sat./30) @ Silent Barn

Drayton Sawyer Gang
Dynamite Club
Child Abuse
Extra Life

915 Wyckoff Ave @ Hancock
L-Halsey or M-Myrtle/Wyckoff
8pm/$7

also Saturday (LATE 12AM @ DON PEDRO'S)
PITBULLS AND PINUPS
dj Dances With White Girls (Throne Of Blood)
dj Andy Pry (Philly)
djs Rezound + Workweek (War & Moon)
go go dancers
90 Manhattan Ave @ McKibbin St East Williamsburg, Brooklyn L-Montrose, G-Broadway
JM-Lorimer
$3/12AM

Thursday, June 28, 2007

Take a Trip With Me



Take a Trip With Me





Buy these great albums here

Wednesday, June 27, 2007

Bushwick Essentials: Rondo Brothers, MP3 + Interview


Bushwick Essentials:
Rondo Brothers
Seven Minutes to Midnight


Download:
"Crazed" MP3


Bushwick is Beautiful: You had a break out debut record on CMJ last time, how are you approaching radio, and what importance do you place it?

Rondo Brothers: We are approaching radio through the lovely people at Fanatic, and it seems like it has gone pretty well for this record. We don't put too much importance on it - it is what it is. I've known alot of amazing records that the CMJ chart ignores, and I've seen some questionable records on that chart as well. I don't really know how it all works or how you get more plays then the next act. The whole aspect of radio is changing so much - i don't quite get it anymore. it seems like if you were a big band before about the year 2000, and you got on the FM playlists, you will be on there forever - but now, it seems nearly impossible for independent acts to become part of that FM radio world - or it takes such a huge groundswell of popularity that they can't deny you. Like, will the Arcade Fire be an "oldie" in 30 years? Or will they just sort of exist in a different realm? Basically every time i turn on the radio i hear the Eagles, Led Zeppelin, John Mayer, and Alicia Keys, and everything like that. When I turn on college radio, I hear alot of bands that sound like they just learned how to play their instruments, and the occasional really great thing. I think it's semi-important, the radio world. More important to keep making records and playing live. If you get radio love, that's cool, that's nice, but it doesn't seem to do much for your career at large. I think once in a while something catches fire and that's great for those bands. Then again, the Who couldn't get anyone to pay any attention to them at all until they went on TV and smashed guitars. Every band is different, every path is different, every artist needs their own unique lucky break. Nowadays, it might be being on a TV show, or a commercial, or touring, or having Trent Reznor say he likes you, or having a weird name. It's just the same old thing as always - do it all and hope for the best, then do it all again and hope for the best again.

Bib: What role do you think music blogs, and record labels actually have on music today?
RB: I think blogs are awesome - love them. We've popped up on a bunch and it's quite nice. It's just a place for people to talk. I think anything like that is cool, whether it's a show or a coffeshop or a website. As far as record labels, well, they have sort of been reduced down to their bare elements. They sign bands and release records so bands don't have to. But in the meantime, thousands of companies are telling bands all the easy ways they can make their own records. I love record labels - i think they are the last sort of music collectives out there. I hope they can survive. I own one as well, and it is a very rewarding thing. I think unfortunately that record labels have gotten a bad reputation- there's this bizarre mentality that alot of people in the audience have that record labels are out to trick them, or sell them bad music, or that they are these big evil corporations.. but actually, being a record label is incredibly difficult. It's actually understandable why they have traditionally had such hard numbers - 15% royalty rates etc - because it is so difficult to make money. Yes, it's not a very fair equation to the artist, but I know for a fact that those numbers developed because otherwise they couldn't make money. It wasn't set up as an evil "let's sign lots of artists and then screw them". I'm not saying that's never happened. I do 50/50 deals with all my artists, and basically, i make very little money, but I want to be cool about it. It's pretty much a co-op. I think smart record labels will release as much music as they can that they love, have hardworking artists, and somehow not worry too much about the bottom line.

Bib: Are we on the verge of seeing bands sell their music themselves (we hope so)?
RB: Yes. ALready happening and will keep happening more and more.

Bib: Will there be a tour?
RB: I hope so. The last couple tours we did were with Handsome Boy Modeling School and then Chali2Na - so we'd really like to be on another tour like that. If we have to headline our own tour or play really small places, we may not do it. We are so busy in the studio it's not very cost effective.

Bib: Your records are so clean sounding, and have such an impressive overall production. Who is responsible for this?
RB: That's a great question. I wish I could say "the cleaning lady" or "my friend Joe who comes over and cleans all the tracks with a washcloth". We just like to make them sound as good as we can. it's just years of experience. Mixing audio is a craft and it takes a while to get good at it. i still feel like an amateur most of the time. You just learn to go with what you like and trust yourself.

Bib: What the hell is a Poo Poo platter?
RB: A Pu Pu platter is a hawaiian dinner that consists of a variety of delicious edible things.


Bib: You guys spend most of your time in San Francisco correct?
RB: Yes, the studio is there, next to the mission, which is the heavy mexican/latin part of town.


Bib: What is with the heavy Hawaiian influence(on the 1st record)?
RB: The first record was made with the hawaiian vibe.. just for fun. Because nobody else had done it. It was just a fun experiment and a learning experience.


Bib: The art work on both No Time Left on earth, and the new record, Seven Minutes to Midnight, is beautiful. Who do you use to create the artwork?
RB: That is an artist called Sam Flores who is very talented.


Bib: Hopeully we'll see you soon in the New York area. > We'd like to recommend our little Bushwick. Great place, good people ;-)
RB: We would love to come through..


Official Website

Buy Rondo Brothers are available on Itunes, and here

Tuesday, June 26, 2007

I Fought the War

Republican support for Iraq war slips

WASHINGTON - Republican support for the Iraq war is slipping by the day. After four years of combat and more than 3,560 U.S. deaths, two Republican senators previously reluctant to challenge President Bush on the war announced they could no longer support the deployment of 157,000 troops and asked the president to begin bringing them home.

"We must not abandon our mission, but we must begin a transition where the Iraqi government and its neighbors play a larger role in stabilizing Iraq," Sen. George Voinovich, R-Ohio, wrote in a letter to Bush.


I Fought the War (but the war won)

Metric -Monster Hospital (MSTRKRFT Remix) MP3
Celestine - "Jesus is Satan" MP3
Soundgarden - "Blow up the Outside World" MP3


I don't fear the people who love death and destuct.

I pity u


Support the artist here
.

Thursday, June 21, 2007

A New Dawn



A New Dawn


The Cinematic Orchestra - "To Build A Home" MP3
from the beautiful new LP Ma Fleur (Ninja Tune)

Rondo Brothers - "Dune Stalker" MP3
from the new LP Seven Minutes To Midnight

Goldfrapp - "Pilots" MP3
buy Felt Mountain
here

Mazzy Star - "Blue Light" MP3
Has to be in my personal top 20, this song soothes like few can.

Sometimes we get ourselves into a hole thats tough to get out from
and sometimes we forget what we're made out of

Interview: Angel from Dirty Projectors

Bushwick is Beautiful Interview:
Angel from Dirty Projectors

Download:
"This is the Heart Now" MP3
Angel Solo Demo

"No More" MP3
From the Rise Above LP due on September 11 from Dead Oceans


How many bands do you play in?

Angel: Right now I play in mainly one band called Dirty Projectors. I also play in a band called Inlets. Sometimes I jam with my friend Sam Rosen. I have a joke band with my brother called Secret Surprise and the Latter Day Saints. And one more band called Mature Women that is on a very long hiatus with my good friend Joey. Whenever he moves to New York, that band will start again.

How long have you lived in Brooklyn?

A: I've lived in Brooklyn since Nov. 1 of 2006.

What are your thoughts on Bushwick?

A: I don't know too much about Bushwick. I like Bushwick avenue, I drive down it a lot. It's pretty amazing looking. Lots of castle like buildings amongst the regular residential zones. It seems like an up and coming area.

What are your feelings on Todd P?

A: I think Todd P is an awesome person. He is doing so much for our musical community. I definitely respect all of his hard work and dedication to his love for music. If it weren't for Todd, there would be far less going on.

What do you think he can bring to the community in the future?

A: Well I think he's already brought a lot now. Finding new venues, bringing in great bands. I think he'll keep doing that. Hopefully at least.

Where do we go from here?

A: I've been trying to find out, but I'm still some way from knowing.


This is the heart now is a regular part of the apartment rotation.
What is the feeling knowing that your music is apart of other peoples
lives?


A: I did not know that people really listened to that song (or any of mine at that). Knowing that feels pretty good. That's a rough demo you have to listen to there. I don't think of my music as that great, so therefore I don't think that people take much to it. At this point in my solo career, I'm definitely being lazy. Trying to become more active in recording and writing things that can semi-satisfy me. Still a long way from that.


Where have you played in Bushwick/East Williamsburg?

A: I don't even know where I've played in this area. We usually play at Silent Barn, but that's up in Ridgewood. Tomorrow my band [DP] has a show in East Williamsburg at a place called Don Pedro's I believe.

What happened to the Surup Room?

A: Whatever the Syrup Room is, it sounds pretty amazing. It reminds me of the Simpsons episode where Bart orders a squishee made entirely of syrup. Then it goes in to a great rendition/spin off of New York New York, except it's called Springfield Springfield... 'it's a hell of a town, the school yard's up and the shopping mall's down' etc, etc.

Thank you to Angel for taking time to answer some questions for our BiB blog readers.


If you missed their recent show in Bushwick, you'll have another chance to see them in a few weeks:
Jul 20 2007
8:00P
Whitney Museum of American Art [DP]
New York, New York

Wednesday, June 20, 2007

Tonight at Don Pedros



Tonight @ Don Pedros

Dirty Projectors
Yeasayer


90 Manhattan Ave @ McKibbin St
L-Montrose
G-Broadway
JM-Lorimer

All ages $tba 8PM

myspace.com/donpedrosnyc

Monday, June 18, 2007

Bushwick Essentials: Bikini Kill


Bushwick Essentials: Bikini Kill
Reject All American

download:
"R.I.P." MP3
"Tony Randall" MP3


What gets lost in the world of "riot grrl" bands is unfortunately the music. Bikini Kill is a great band with lost of catchy raw songs that will never get their full due.

"Another picture of a girl with a gun to bore me"

Kathleen Hanna's words and antics will always make her somewhat of a indie Rosie Odonnell.

"Cartoon girl"

Underneath the loud screams, and honest cries for revolution girl style now was a talented vocalists, and musician.

"I see a punk club, he sees a strip bar"

Bikini Kill had it's heyday when Indie music really was independent, and they will always
have a cult following that remembers the band's impact. From playing shows in small cities such as Minot North Dakota, to touring world wide with Joan Jett. This band was about the feeling one hopes to achieve while playing music, realism. Start with their last album Reject All American, and work your way backwards.



Buy Bikini Kill here

Friday, June 15, 2007

Block Magazine Interview



Bushwick Blogging

Conversation with “Bushwick is Beautiful” Blogger Daniel Higley

By Adrian Archer



Daniel Higley, musician, industry veteran, and the man behind Bushwick is Beautiful (www.bushwickisbeautiful.blogspot.com) was a good enough sport to meet me at Verb CafĂ©. Over iced teas and loud music, the thirty-something Higley and this even more thirty-something writer discussed Higley’s band, Celestine, his music career, the blog, and the near future of his adopted home, Bushwick: The Next Big Scene? Let’s ask the man himself.

CELESTINE

Plays guitar and keyboard for Celestine
Band Mates: Derek Leech: bass; Greg Smith: drums

Block Magazine: What’s going on with your band right now?

Higley: “My band mates all moved to Oklahoma City within a few months of each other. It was really a random coincidence, but it happened.”

Block: Are you still together?

Higley: Yes, very much so. We’re working on the new album. Now I just do a commute, a couple of months here, a couple of months there.”

Block: Your singer left the band recently. Who will be singing for you on the next album?

Higley: “Hopefully it will be Selene Vigil [former lead singer of Seattle punk band Seven Year Bitch]. She married Brad Wilk [drummer, Rage Against the Machine and Audioslave]. I hope we can bring her into the fold.”

Block: How’s the new record going to sound?

Higley: “Like Portishead with heavy bass. I really love Portishead. We have something from them on the site. We’re just working on the lyrics right now.”

Block: Where do you want to go lyrically?

Higley: “Well, we asked ourselves, ‘what are we going to write about?’ I wanted to write about the meaning of life. Not so much religious, not Christian Rock. We didn’t want to box ourselves into that niche, but we did want something spiritual.”

Block: I give you all the props in the world for doing this after thirty. I let it go a while ago because I couldn’t find committed people like you have.

Higley: “There has to be a focus when you get older. You need a [permanent] place to practice. You need a plan. I’ve been going back and forth to Oklahoma City to work with the band, and I’ll be going back in about two weeks. We are all really committed to making the next record.”



Block: Do you have a name for the album yet?

Higley: “We’re thinking of the name ‘Carousel’ for the album name. Look for it at the end of the year.”

THE BLOG: “Bushwick is Beautiful”

Block: How did the blog start?

Higley: “It started as a personal thing, really. When I first moved here [two years ago], I didn’t know that there would be so much going on in Bushwick. There is so much going on, especially with the music scene, and no one else was putting it together.”

Block: So you work alone?

Higley: “For a while, there were two or three people helping me out, but now it’s pretty much me.”

Block: I actually came across your blog while I was looking up something on Ours [led by singer Jimmy Gnecco].

Higley: “You were on Danielle’s site; Music is Art (www.musicisart.blogspot.com). She links to our site. She’s getting over 4,000 hits a day.

Block: That’s great. Where do you want to take the blog?

Higley: “I want to move into putting on shows. I’m working with a promoter, Todd P (www.toddpnyc.com). I’ve been involved in the music industry for some time now, and I want to use that connection to bring more attention to what’s going on in Bushwick right now.”

Block: Tell me about your music industry resume?

Higley: “I’m from Colorado, originally. I was a music director for a radio station in Colorado for five years.”

Block: What was that like?

Higley: “It was fun hanging out with artists. It shocked me how a lot of them were really just down to earth and really loving people. I got to interview [the Flaming Lips frontman] Wayne Coyne. He is a really cool guy. Funny story: I still have a tape of the interview I did with him. He was talking about doing heroin, and then he says to me, ‘You know this is off the record’ and the tape recorder’s on, so I said, ‘Dude, you know I’m taping this.’”

Block: Oops...

Higley: “Oops is right. But he’s such a cool guy. He gave me a hug! It’s shocking to meet real people in show business, but I was lucky to meet him and a few others.”

BUSHWICK: The Next Big Scene?

Block: What kind of changes have you seen in Bushwick since you moved here?

Higley: “I don’t want to sound corny, but there’s a lot of energy coming out of Bushwick. I don’t know if it’s a ‘scene’ yet, but there is definitely a lot of energy. For example: One day, I was watching a music video by The Rapture. Then I realized that it was filmed in the deli right near my place. There is a warehouse near my place that rents to film crews. The streets are blocked off all the time because of all the filming.”

Block: That’s exciting.

Higley: “It’s very exciting. There are different projects popping up all the time.”

Block: If Bushwick isn’t a ‘scene’ yet, do you still see it as a ‘hood.’?

Higley: “The neighborhood is kind of rough. Crack pipes, syringes - that kind of stuff on the sidewalk. At the same time, it’s a lot better than it used to be. I talk to a guy who is in the band Secret Machines. He told me he used to live in Bushwick when it was really bad. Lately, there are a lot of new people moving into the area.

Block: Young professionals or college types?

Higley: “I think both. A few years ago, my whole neighborhood was all Puerto Rican. Now it’s half and half [Puerto Rican and white].

Block: Where’s the best place to catch a show?

Higley: “I like The Syrup Room and Asterisk*. A lot of the shows in Bushwick are informal; they are held in warehouses. The thing is that sometimes the cops come and close them down.”

Block: Ah, they don’t have cabaret licenses.

Higley: “They don’t have cabaret licenses or liquor licenses, and it takes forever to get those.”

Block: Since you have a presence on the Web, I want to ask you: how do you feel about digital music? Do you feel this puts more people in the clubs or out?

Higley: “That’s a good question. It would be cool to have cyber concerts, but I don’t know what’s going to happen. I hope the Internet works as a tool to get people out to shows and not just [be an excuse] to stay inside the house.”

Block: Well, thank you Daniel. This is great. I appreciate you talking to me.

Higley: “No worries. A lot of people are writing about Bushwick. People contact me all the time. I think it’s really blowing up. In my view, the explosion of Bushwick will happen this summer.”

Tuesday, June 12, 2007

Bushwick Essentials: 7 Year Bitch



Bushwick Essentials:
7
Year
Bitch

Download:
"Sore Subject" MP3
"Knot" MP3

Few live rock shows have shook me to the core as did 7 Year Bitch at Great American Music Hall back in 1996. Filled to capacity with mostly women, some decked out nicely in football uniforms, and featuring live performances by Tribe 8 and Jello Biafra. The standout performance was by the headlining 7 year bitch. Having only known them from their performance in the Drew Barrymore movie Mad Love, I really didn't know much about the band. 4 women who played dark bluesy grunge rock. The singer Selene Vigil commanded the stage like I imagine Jim Morrison doing in the late 60's. All eyes were on here, and she snarled starred and smoked during their set. If you were lucky enough to get caught in one her glares, it was an experience you would not forget.
The band is long broken up, and all members have retired from music. Selene is the wife of Rage Against the Machine guitarist Brad Wilk, Val Agnew is a massage therapist in San Francisco, Elizabeth was still playing music with Von Iva until a year ago (shes a happy mother now).

One can still hope that these ladies get back together for a few shows sometime.

I will always hold out hope.

Key lyric:
"Alcohol's a truth serum, and the truth is, I fucked up" - "Sore Subject"



Buy 7 year bitch here

Official Fan Site:
http://www.geocities.com/Hollywood/2200/

Look close and you will find some pictures and concert reviews from yours truly.

Wednesday, June 06, 2007

Guided By Voices Tribute in Bushwick this Saturday

Guided By Voices Tribute in Bushwick this Saturday



A SALTY SALUTE TO BEE THOUSAND
Saturday, June 9th @ DON PEDRO'S


MICROSHOW - anybody who signs up can play one GBV song!
(They'll have a full backline, with instruments, set up on stage)

ROBERT POLLARD & TOBIN SPROUT WILL BE IN ATTENDANCE!

DON PEDRO'S
90 Manhattan Ave @ McKibbin St
ALL AGES $5 8PM

If you want to play a song, just show up & sign up!

CONFIRMED PERFORMERS SO FAR
The Tender Breasts
Castanets
Katie Eastburn
Phosphorescent
The Fugue

http://maindragmusic.com/

athother great Todd P production

Friday, June 01, 2007

Brooklyn Matters


click to enlarge

Bushwick Cabaret and Art Spectacular

Bushwick Cabaret and Art Spectacular
Saturday, June 2, 8pm

2 Arts in Bushwick presets an evening of music, clowns, theater, acrobats, circus freaks, participatory art, dance and fun. The Bushwick Cabaret and Art Spectacular will take place at the massive Nutroaster space located at 120 Ingraham (L to Morgan). Starting off with the Cabaret on the main stage at 8pm sharp, the night continues with Bushwick and Brooklyn-based bands playing all night on two stages, a series of dance pieces, photo and video projection, participatory mural painting, and a block party with food prepared by Bushwick Department of Public Works' Umami: People + Food.

Anyone is invited to bring a DVD/CD of their art (.jpeg, .mov, .avi, .swf recommended), photos, animations and/or video to be projected on the walls of the Nutroaster throughout the night. This is open to all artists, registered with B.O.S. or not. There will also be an "Open Stage" located in our outdoor area where anyone can perform. Attendees are also invited to showcase their unique talents in the "GOODY OF BOSWIJCK" Pageant, to be held at 9:30pm during the Cabaret.

Music by

Necking
theSuiteUnraveling
B R I N S K
Pink Meat
The Boston Afro Beat Society
Clear Tigers
Geminii



This event is free.

Hope to see you there!

http://www.artsinbushwick.org/

Death of the Album and the birth of the Digital Age

the birth of the Digital Age

Itunes and MP3s are changing the music business as we know it. Old school music fans will groan that we are losing the concept and the beauty of the traditional physical album. What they fail to admit or realize is the beauty of an album, and the art associated with it, was lost long ago. We have already shrunk the beautiful large size of the album cover, and condensed it to fit tapes and compact discs. Now we are on the verge of having albums being sold piece by piece, song by song.

Is this really a bad thing?

We can choose to embrace the concept that music, along with the way it is packaged, should change and grow. We think of many classic albums such as Pink Floyd's the Wall as one unit, and the thought of selling each individual song may understandably seem wrong.

If we change the customary method of selling music, we are somehow doing a disservice to the music itself?

You must remember for every classic album, how many bloated records have been shoved down our throats with one single and a lot of filler. The purity and sanctity of music was sold out long ago. Selling an at form in the first place kills some of its purity. If anything selling tracks by themselves will help the stale overpriced music world we now consume. Bands and labels will be forced to look at their music and the way they release it in a whole new light.

Consumers have more power now than ever, and that is the way it should be.

We can buy only what we really want to. The loss of traditional art work or and physical product such as a CD case should be looked at as an opportunity to progress into something new and inspiring. Imagine if the album art work was downloaded along with the track, and played back on your wall as a light show. The band could create videos or images that come to life along with the music. Oh the possibilities...
You should honor the way it was, but embrace what it could become.

In the very near future the artists will sell the music directly from their websites, and cut out the middle man (record labels) altogether.

It can't come soon enough...